Neda Ulaby | Michigan Radio

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      WUOMFM

      Neda Ulaby

      Artist Paul Rucker is fearless when it comes to taking on terrible moments in American history.

      "The work that I do evolves mostly around the things I was never taught about," Rucker explains. Over Zoom, he's discussing his work in progress, Three Black Wall Streets, which evokes and honors the achievements of Black entrepreneurs and visionaries who created thriving spaces of possibility and sanctuary after the end of the Civil War.

      You should be counting your Thanksgiving blessings if you have someone like Jasmine Surti in your immediate family or circle. She's a mother, a daughter, a friend to many in Lawrenceville, N.J. And she's the sort of super-planner who joyfully takes on the daunting task of organizing a pandemic Thanksgiving.

      "Well, I guess I like to make spreadsheets and surveys and things," Surti acknowledges with sheepish pride. "Basically, problem solving, you could say."

      It's no exaggeration to say this year feels like a horror movie. And now, a few filmmakers are making it official.

      Museums seem like immortal places, with their august countenances and treasured holdings. Even in our TikTok era of diminishing attention spans, they draw more than 850 million visitors a year in the U.S., according to the American Alliance of Museums.

      Mary Maxon was out raking hay on her tractor yesterday morning when a beep on her phone alerted her to the good news. The arts organization she runs on the Pine Ridge Indian Reservation in South Dakota had just been awarded a $50,000 grant through the CARES Act.

      It's hard enough for any museum trying to reopen right now, but children's museums face especially tough challenges. (Especially those with names like Philadelphia's Please Touch Museum, the Hands On! Discovery Center in Gray, Tenn., and the Ann Arbor Hands-On Museum in Michigan.)

      The Great Depression challenged Americans not just with horrifically high unemployment, but ideological divides not utterly unlike the ones we face today. Today, poll after poll show the country deeply split on major issues. Racism, Islamophobia and anti-Semitism are on the rise. Back then, the labor movement was burgeoning; so was membership in the Ku Klux Klan.

      The last great pandemic struck the world more than 100 years ago. But voices from that time can still be heard in Radio Influenza, a haunting work of audio art available online.

      The voices are not real. They're computerized. They sound tinny and faraway as they read fragments of newspaper stories from 1918, when the so-called Spanish flu ravaged the planet. Still, these fleeting dispatches from the past are uncannily relevant

      There's a lot of uncertainty in the world right now. Which explains a major trend in entertainment: People are revisiting favorite TV shows, and listening to music they already know they like.

      "When I was on night shift a couple of weeks ago and made mix tapes for my team, I took no musical risks," says Miriam Segura-Harrison, a 36-year-old family medicine resident at Brown University in Providence, R.I. "It was the soundtrack to 'O Brother, Where Art Thou?' Daft Punk and Wolfgang Gartner — my personal set list that got me through medical school."

      Picture an angry little ball, covered in spikes, perhaps equipped with arms and legs, and definitely an evil grin. That's how cartoonists and animators are anthropomorphizing Covid-19. Which seems to make the coronavirus unique in our long history of anthropomorphizing diseases.

      Imagine a version of the NBC hit comedy The Office where everyone's working from home. Irritating boss Michael can't stop sending vaguely inappropriate gifs, lumpish Kevin can't quite master the mute button and workplace wiseguy Jim is always looking directly at the camera, because, well, he has no other choice. He's stuck in meetings on Zoom.

      Every weekday for more than three decades, his baritone steadied our mornings. Even in moments of chaos and crisis, Carl Kasell brought unflappable authority to the news. But behind that hid a lively sense of humor, revealed to listeners late in his career, when he became the beloved judge and official scorekeeper for Wait Wait... Don't Tell Me! NPR's news quiz show.

      Kasell died Tuesday from complications from Alzheimer's disease in Potomac, Md. He was 84.

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